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The sputtering economy has failed to stymie spending on alternative media, according to a report from PQ Media. In 2007, spending on alternative media – such as social networks, mobile and interactive advertising – grew by an eye-popping 22% to $73.43 billion in 2007 and it is expected to grow by 20.2% in 2008 to $88.24 billion.
Spending on alternative media – which is slated to represent 26.6% of total U.S. ad and marketing spending by 2012 — is expected to post compound annual growth of 17% in the 2007-2012 period, eventually reaching $160.82 billion.
“By 2012, we anticipate one out of every four dollars spent on advertising and marketing will be earmarked for alternative media,” said Patrick Quinn, president and CEO of PQ Media. “Alternative advertising and marketing media are driving a new media order that presents vast opportunities for industry stakeholders, but also key challenges for some of the fastest-growing digital media segments. Technological advances have led to critical changes in consumer behaviors and media usage patterns, which have pushed the advertising and marketing ecosystems into a seminal period of transition. Driven by these market forces, brand marketers are seeking new strategies to connect with consumers through engaging means in captive locations, while at the same time providing proof-of-performance metrics. This confluence of trends is fueling the migration of dollars to alternative media.”
PQ Media broke alternative media into 18 segments – 12 alternative ad segments and six alternative marketing segments. Twelve of the 18 grew more than 20% in 2007 and are projected to drive the growth over the next five years.
In order of projected growth, these segments are: consumer-generated media, mobile advertising, videogame advertising, online video advertising, word-of-mouth marketing, advergaming and webisodes, product placement, search and lead generation advertising, and digital out-of home media. The largest alternative media segments in 2007 were event sponsorships and marketing, search and lead generation, e-direct marketing, online classifieds and displays, local pay TV, and product placement.
A few key breakdowns from PQ Media’s report:
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Steve’s covert plea for Flash compatibility seems to be paying off. Adobe sees the near term benefit despite the iPhone’s 1% penetration of the mobile market. That 1% has translated to an 85% mobile browsing share.
Despite it’s success, I don’t see Apple attaining more than a 5% share as long as they keep their exclusive with AT&T. Does anybody else feel like an Apple licensing deal may be on the horizon?
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This is groundbreaking. This is revolutionary. On Techmeme there are only a few links. Rich media ad serving from Google:
http://www.google.com/support/admanager/publisher/bin/topic.py?topic=13161
They are changing the game, yet again. Just as Google Analytics did. They are going to put many of the niche ad serving players in a world of hurt. I have a sneaking suspicion that a minority of users are going to find alternative uses for this; widgets, sound clips, movie trailers. If any Googlers are out there, please send me an invite.
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I am in love with this speech Seth Godin gave. These excerpts explain beautifully WHY the NIN model works, and in short order.
Important to keep a dialogue:
…The next one is my biggest one, and what started me
down this whole path which is, if I asked you for the
name and address of your 50,000 best customers,
could you give it to me? Do you have any clue? Then
what happens every day is you guys go to a singles bar
and you walk up to the first person you meet and
propose marriage and if that person won’t marry you,
you walk down the singles bar to every single person
until someone says I do. Thats a stupid way to get
married. A better way to get married is to go on a date.
If it goes well, go on another date. Wait to tell them
on the third before you tell them you’re out on parole.
(laughter) Then you meet their parents, they me your
parents, you get engage, you get married. Permission is
the act of delivery. Anticipated, personal, and relevant
messages to people who want to get them. I have every
record Ricky Lee Jones has ever made including the
boot legs that she sells. Rick Lee Jones should know
who I am! (laughter) I have bought many of them
(pause) well her agents, her people [should know who
I am]. I’ve bought many of them directly from her site.
I desperately want Ricky Lee to drop me a note telling
me when she is going to be in town. I want her to ask
me, “should I do a duets album with Willie Nelson, or
should I do one with Bruce Springsteen?”. I want to
have these interactions. And I want her to say, “I’m
making another bootleg, but not until I get 10,000
people to buy it as patrons before I make it”. Because
I’d sign up. I’d buy five if it would help, but she doesn’t
know who I am. She doesn’t know who I am, she
never talks to me. And then every once in a while her
record label tries to yell at me, but I’m not listening
because they’re yelling at me in a place where I’m not
paying attention. And so we look at these phrases,
“paying attention”. That’s what you’ve wanted people
to do all along. “Pay attention to this artist”. Paying is
a weird word isn’t it? You want me to pay you
something-my attention. And if you’re wrong, I get
nothing back. I had to listen to the Backstreet
Boys…AHH! I want those three minutes back. So, it’s
a weird relationship.
The “tribal” concept of fanbases:
The next idea is this idea of liking. There is a lot of music I like. There is not so much music I love. They didn’t call the show, “I Like Lucy”, they called it “I Love Lucy”. And the reason is you only talk about stuff you love, you only spread stuff you love. You find a band you really love, you’re forcing the CD on other people, “you gotta hear this!”. We gotta stop making music people like. There is an infinite amount of music people like. No one will ever go out of the way to hear, to pay for, music they like…back to this tribal thing. It’s really important to people to feel like they are part of that tribe, to feel that adrenaline. We are willing to pay money, we’re willing to go through huge hoops, trampled to death in Cincinnati if necessary, in order to be in the environment where we feel that’s going on.
Then “The Seinfeld Curve”
The next thing is what I call the Seinfeld curve. The
Seinfeld curve shows us Jerry’s life. If you like Jerry
Seinfeld you can watch him on television, for free, in
any city in the world two or three times a day. Or, you
could pay $200 to go see him in Vegas. But there is no
$4 option for Jerry Seinfeld. This is death. You can’t
make any money in here. Because if you’re not scarce
I’m not going to pay for it because I can get if for free.
And one of the realities that the music industry is
going to have to accept is this curve now exists for you.
That for everybody under eighteen years old, it’s either
free or it’s something I really want and I’m willing to
pay for it. There is nothing in the center-it’s going
away really fast.
Take these concepts together and its obvious why the NIN model works. Create choice, cater to those who love you, enable the tribe to continue engagement throughout by creating and mixing your music. In the end, win them as lifelong subscribers who are apt to come back and check out what’s next…
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Seth Godin put up a PDF transcript of his talk on the future of the music business. Good read.
http://sethgodin.typepad.com/seths_blog/files/musicbusinesslive.pdf
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